View(s) :
1 (0 ULiège)
Download(s) :
0 (0 ULiège)
Abstract
This paper contains the analysis of a small piano piece by Manolis Kalomiris, chief representative of the composers of the Greek National School. Typical of the piece is its modal harmony and the lack of the “tonic” V-I cadence. However, in this analysis, a substitute for this is projected and the time-span reduction and prolongational trees are constructed with the more “stable” notes of the corresponding modes in mind. The result implies the possibility of applying the perceptual analytical model of the Generative Theory of Tonal Music to not strictly tonal pieces, but tonal in a broader way of thinking.
Index
Text
References
Bibliographical reference
Costas Tsougras, « A GTTM Analysis of Manolis Kalomiris' “Chant du Soir” », CASYS, 4 | 1999, 300-311.
Electronic reference
Costas Tsougras, « A GTTM Analysis of Manolis Kalomiris' “Chant du Soir” », CASYS [Online], 4 | 1999, Online since 08 October 2024, connection on 27 December 2024. URL : http://popups.uliege.be/3041-539x/index.php?id=1595
Author
Costas Tsougras
Musical studies department, Aristotle University of Thessaloniki